I have been working diligently on my Thread Sampler. It’s unfortunate that life keeps getting in the way or I’d be onto the first page of threads!
I finally came up with a title for my fabric book. I wanted something that sounded kind of Medieval and definitely wanted to use an old English script for the lettering.
I like the letters, but not the spacing
The little numbers represent the width and height of each word.
I like the lettering which I found on the (free!) alphabets pattern page at Embroidery and Embroider. But I decided I want only one space between letters, two between words on the same line, and three between lines.
I don’t like the program I used to graph this. It’s really hard to move things around and copy and paste repeats. So where I would expect to graph in an ‘e’ once and copy and paste where needed repeatedly I ended up graphing it over and over. Very tedious. Graphing colors could be easier, too. In November I’ll be taking Sharon Boggin’s course on using GIMP which I’m hoping will be the answer to my design software needs and wants.
I am loving the Kreinik silk Mori thread. It is so soft it makes me think of one of my favorite scarves/shawls. A very warm and comforting feeling. But I ran out. Actually I should have had enough to do the full cover, but I think the last length of six strands walked away with a dog (most likely my black and silver mini schnauzer, Taz) and is probably hanging in a bush outside somewhere. Ah well, a bird or chipmunk will have access to some real luxury nest material! Next week I’ll go to my favorite local shop and pick up a couple more skeins.
Title of the thread sampler fabric book stitched thus far in cross stitch with Kreinik Silk Mori, two plies of black
And here is the back of this piece:
This is the backside of the stitching thus far. It is not supposed to be reversible, just very neat.
Part of the reason I wanted the space between the letters to be one stitch width is so I don’t have to worry too much about being able to see lines of black thread being carried from letter to letter from the front. I use a loop method or away knot to start my threads and bury them as soon as I finish a length of thread. In this way I can assess my neatness as I go and there will be no disappointments when the piece is completed.
Now, on to the actual thread samples and the pages of this fabric book!
When we get to Alabama for the winter I will order some fabric for the book cover that will frame the title stitching. I’m thinking a brocade, something sturdy and heavy. I like this and this, too. I’ve done some research on what might have been used in early book binding and really don’t want to use leather as my sewing machine probably wouldn’t be able to handle it.
Which of the cover fabrics do you like best? You might want to seriously consider this question because if I order too much I may just have to give the extra away to some lucky reader! I’ll keep you posted!